Showing related tags and posts accross the entire site.
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So here's the deal. I have Red footage, most of it shot in 4K (1,9.1), but some in 3K. I don't think we'll need the final video in 4K, it will probably end up in 2K. I have about 1,3GB of Red-footage. I have AMA-linked all the footage into Avid, and my computer is working big time now transcoding...
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Hi everybody. I've just look 'round by the forums here but i've some difficult finding what I need. As D.I.T. sometimes productions asking me to give an mxf transcode of the footage to the post house, and I just wanna be sure to send the material the perfect way. I'll send an hard drive...
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Just upgraded from MC6 to 7. On a shoot this week using a RED Epic. Can someone please help me with the RED Workflow in MC7 Interplay. I heard tale of lots of improvements. I have been trying to research all night but there is no clear workflow. I am editing food commercials. I need to be able to do...
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Hi to all who is reading this!. . .I thank you for taking the time to answer my question. I've recently found my problem to my offline DNxHD 115 RED footage in my AVID clips and Sequence. .. I finally came up with decomposing my offline Sequence, then making a PULL LIST for the clips in the sequence...
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There are several posts here and elsewhere from people trying to push AAFs and Avid media through color systems and back. Some have it working, many do not; the potential pitfalls, headaches and drawbacks of it are well documented. Since 2009, we have been using a different method that I think is simple...
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At the moment i am really disappointed how colorful and lovely the announcement was i got from avid… Stop Waiting and Start Working Now! Stop transcoding and start editing RED, QuickTime, and Canon tapeless media immediately Media Composer Software 5.0 - Directly access and edit RED files through...
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Hi. I'm a young editor studying in Rome at the Cinecittà Studios. I know it can seems strange but nobody in Cinecittà know how to finalize an edited sequence and conform it in a 2k master. Anybody told me you have t use a DS or a Symphony but here in Rome the only Studio I know that...
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Hi, I'm trying to figure out what the best way to go about planning for a stereoscopic 3D project might be. We are in the pre-production stage of a shoot for a six minute live action project and I am working on an Avid DS V10 with the 8400 workstation. I am in the fortunate position to be able to...
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I'm about to start editing a project shot on red cam. I'm following the steps laid out in http://www.studiodaily.com/studiomonthly/currentissue/9261.html . I'm having trouble with the step where I create a quicktime (ref) in red alert and then batch import it into my media composer 2.8.3...
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