Hi, I’ve been working on a single sequence MCF reel, for about 8 weeks, set up as one project then recently moved to/opened in another (with a proper frame rate). I recently moved/opened the project sequence when MCF would 1) crash when I opened the project, then 2) not respond, which is when I...

Hi, I'm trying to import PNG Sequences (with alpha) produced from AE. There are about 7,000 of them or roughly 4 mins of footage. It takes a longer than expected about at least 15 mins. And another 15 mins to create an alpha detail or something like that. At first, I thought it was because of the...

Hey guys I'm very new to Media Composer so please be patient with me and detailed in instructions. I've been working on this short film for days. Today, my Mac was being really slow. I closed Media Composer (which at the time had my project open) to see if that would help. I close it all the...

Hey all, Strange issue that just popped up on a project when trying to open up a relinked sequence - it locks up Avid and eventually forces a crash. Workflow - RAW media is on an ISIS 5500 partition. AMA to the Raw media --transcode to DNx45--edit -- relink back to RAW for mixdowns. This is the first...

I've had the same problem. I use some of the same old (legacy) projects/sequences for my work over many MC version upgrades and updates. It seems that upgrading to the next MC version (over 7 years and several versions) has caused some problems when I open or duplicate old sequences that I continue...

Hello! I'm trying for hours now to solve my problem, but nothing worked so far. Here's my story: I have a current Avid Project located on an external harddrive. The avid project, source material and the .mxf files are all on the external harddrive. I had to do a system update (Yosemite) using...

I know this is an old thread but i was wondering if anyone found out how to do color correction when using multicam?

Hi, Glad to see the marker export has been improved. What our clients really want to do is to be able to watch a sequence of all their rushes. A simple way of doing this would be to throw all the rushes onto a sequence and check that in. They can then watch a camera card from start to finish without...

Hi, A client wants to transcribe their rushes via the UX. Since it appears you can't load all the clips into the source monitor I decided to create a sequence in the Avid per card. But the biggest flaw is that when viewing the sequence in the UX is that you can't set the timecode in the source...

I would like to be able to match frame from a sequence in the Record monitor to a sequence loaded in the Source monitor. Many times I am cutting from a "selects sequence" that is loaded in the Source monitor. I want to be able to match back to that sequence, not to the original master clip...