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Hi I'm working on a show in the UK that is made purely from archive. Majoirty of it is interlaced and some is progressive. We've also had progressive GFX made externally which I'm having to animate using keyframes. In addition, we've made some wipes in MC using Boris/Sapphire FX. I'm...
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Hi, I will soon begin editing a project shot with Canon 5D mark iii, for TV which requires interlaced master. What is best, link and transcode media in an Avid interlaced project? Will the material become truly interlaced ? Will panoramic shots look jerky? Or is it better to work in an Avid progressive...
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Hi There I'm a little confused about various settings redarding interlaced/progressive. Just three quick questions I coulnd't find an answer to: 1) When importing interlaced footage into a progressive project via AMA-Link > Transcode , I have to make sure that the AMA Plugin detects the clips...
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If you are importing or linking to (in my experience Sony, but maybe other varieties of) AVCHD footage shot 29.97P and working in a 29.97P Project , Avid Media Composer interprets it as INTERLACED and defaults to Duplicated Field . This gives it a blocky, less sharp look. My work around (for the past...
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Here is a somewhat convoluted scenario for which I'm seeking some advice: The context is a multicam recording of a long theatre play; a 1080i/50 project with most master clips being also 1080i/50, but some being 1080p/25: an unattended camera has produced static 4k 25p mp4 video, ideal to do some...
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Background: As far as I am aware, all HD terrestrial broadcasts are interlaced. Even HD video on Bluray requires interlaced video assets. Again, as far as I know, true 25fps (captured and recorded) is used only in physical film and DCP where each frame is transcoded as a single M-jpeg. Nothing on TV...
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I have a project, which was shot on the Canon 5D mark3. The progressive 25fps 1920x1080 footage was imported into a progressive avid project on a mac. The film was edited in that format. I now have to export an interlaced mxf op1a file for broadcast. First I changed the project settings to interlaced...
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There is a lot of discussion on the internet when it comes to when to use an interlaced or progressive graphic file. It would be helpful if someone can provide 3 simple interlaced vs progressive tables, for the most common graphic file formats: TIFF JPEG PNG The layout of that table will be something...
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This might be a silly question... Let me give some quick context before I ask the question. In Premiere, when you create a new sequence, you can choose what preset you want the sequence to be. And then if you drop a clip on the sequence that doesnt match the sequence settings, Premiere will ask you if...
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Hi, thanks for the hint. Pitty, it doesn't work. AVCHD / AVCCAM uses "25p over 50i" for 25p progressive clips. It makes a complete (progressive) frame, splits it into two fields, saves it in the file. It sets the header of the file to "progressive" so the NLE knows, it's 25p...