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  • 030 - Gossip Girl

    Recently I had the opportunity to sit down with director Norman Buckley along with editors Tim Good and Harry Jierjian to discuss their roles on the CW prime time drama 'Gossip Girl'. During the course of our interview, they offer up a lot of great insight and a lot of great advice. Download the Podcast: Episode 030 - The Rough Cut - Gossip Girl (MP3
    Posted to The Rough Cut (Weblog) by Avid Community Team on Sat, Jan 30 2010
  • 2012

    Telling a riveting, end-of-the-world story can be challenging when theres over 1,400 visual effects wreaking apocalyptic chaos on screen. But for the editing team behind 2012, Media Composer® helped them pre-visualize sequences and collaborate across two countries, from the productions beginning to end, to craft the intricate storyline. Download
    Posted to Media Composer Family (Weblog) by Avid Community Team on Wed, Dec 23 2009
  • RED Workflow with Avid MetaFuze

    With MetaFuze®, a free app from Avid, you can bring the tapeless RED workflow to Media Composer in several ways. Learn how in this Cutting Edge video. Download the Podcast: Media Composer Cutting Edge - RED Workflow featuring MetaFuze (MP4) Running time: 3:58 • Subscribe to new episodes - iTunes or RSS • Questions, comments and suggestions
    Posted to Media Composer Family (Weblog) by Avid Community Team on Tue, Dec 22 2009
  • Re: Store looks awesome!

    Thanks Josh. That went live about a month ago. The Avid eCommerce team put a lot of hard work and effort into the redesign and I think it shows. I'll pass along your feedback!
  • Motion Tracking and Stabilization

    With Avid Media Composer, you can tame shaky hand-held video footage, mask out or color-correct moving objects and elements, and create visual effects more easily using the built-in motion tracking, stabilization, Paint, and AniMatte tools. Learn how in this Cutting Edge video. Download the Podcast: Media Composer Cutting Edge - Motion Tracking and
    Posted to Media Composer Family (Weblog) by Avid Community Team on Tue, Dec 1 2009
  • Re: Post Locked

    Ervin, try now.
  • Read Audio Timecode

    Gain more flexibility during production with Read Audio Timecode, a feature in Avid Media Composer that allows you to capture audio and video separately and then automatically synchronize the sources together as you begin editing. During production, you use an external timecode generator to sync the internal clock of the sound recorder, while feeding
    Posted to Media Composer Family (Weblog) by Avid Community Team on Tue, Oct 20 2009
  • Mix and Match

    When you need to cut together multiple video clips from a variety of sources in mixed resolutions, nothing gives you the speed or superb image quality of the new Mix and Match features in Avid Media Composer 4. Forget hardware transcoding; with Media Composer 4 software, you can freely mix and match HD and SD formats, frame rates, and resolutions right
    Posted to Media Composer Family (Weblog) by Avid Community Team on Fri, Oct 2 2009
  • AMA and Media Management

    While you can greatly speed up your tapeless workflows with AMA (Avid Media Access), there are times when you’ll want to move that source material to Avid storage. For high production projects, you can easily consolidate and transcode file-based footage to your local drive or Avid shared storage in DNxHD format for better real-time performance
    Posted to Media Composer Family (Weblog) by Avid Community Team on Thu, Oct 1 2009
  • AMA Virtual Volumes and Metadata

    The key to a successful project is organization. With Media Composer, you get unmatched media and metadata management to keep your projects on track. The same holds true for native XDCAM, P2, and/or GFCAM source material housed on an external hard drive. With AMA (Avid Media Access), not only can you access and edit video on the local storage drive
    Posted to Media Composer Family (Weblog) by Avid Community Team on Wed, Sep 30 2009
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