Get off your knees Andi, it ain't going to happen... D

Legacy Installers Here: https://drive.google.com/drive/folders/1gyO4XKrNZsyym9D7MY9-21_tZi1WPIun

wmc, Ah... Thank you!

Just some observations that may help: REC709 is Studio Swing (Limited range I think you refer as.) Arri REC709 media is also Studio swing (RGB or YUV.) There are white papers on their website to explain why this is the case From the Symphony CC manual: How Color Correction Handles Color Space and Bit Depth When your Avid editing application makes some

Same here: SDI out to Blackmagic presenter used as a camera source to laptop running Zoom. "Original sound" is a huge help. We often have a separate streamimg link set up but MC as a Zoom participant works better.

Dom, I don't think Avid DNxID has SDI out.

Vinne, You would need Dom's volume controller and the Flex box to make it work. An AV receiver gives you all the functionality in one box, and is what I currently use, (yes love centre dialog too...) Perhaps avoid Marantz and use Sony or Denon... :) David

Thanks to the ever so helpful Brian Colvin, Legacy installers are available here:https://drive.google.com/drive/folders/1gyO4XKrNZsyym9D7MY9-21_tZi1WPIun

Shutter Encoder! https://www.shutterencoder.com/

Hi, No, there is no benefit gained. The footage is 422 making it 444 will add nothing, and the resulting file will possibly confuse how it's colorspace is interpreted if you are exporting as REC709. David