[quote user="MagnusMeerkat"]n reality RGB generally means full color levels[/quote] I just want to re-iterate what others have said; RGB does not mean that lvels are full swing. The Arri Alexa ProRes 444 outputs studio swing levels for intance; the colour corrector in MC converts to RGB and back again to YUV in a 422 project, the confusion

[quote user="Philip Kapadia"] wow that looks like a great tool!! thank you! [/quote] Yup! I used this tool to add the TOD data to the footage of an movie shot on iPhone. The most reliable way of conforming (I tried Resolve and Assimilate Scratch amongs others) was Media Composer. MC gives more options when re-linking to the camera originals

Nah, infortunately does not work like that, you are stuck with just the first eight tracks. Back in the distant past (MC 7) you were able to switch banks of eight in MC which allowed you to get at the others...

Thank you so much for this post, was just about to tear the remaing hair out, and shout at the sound recordist... David

Dear chap, I too share your frustration; but yes, we maybe old, but not luddites! There are long lists of things that would help our workflow, these UI changes are not in that list...

Command+Alt+L (or K) works on a Mac (MC 2018.)

+1 Me too, they just remind me how long I have been editing...

+1 to Trevor's suggesions; especially the preset idea...

Hang on to that dongle! In ten years time, after you have retired, you will be asked to boot up an old project; that trusty old dongle will allow, (if you can find an OS and MC version that still works with it.) I am keeping mine!

It woud be useful to have a simper way of deleting unwanted tracks, jdrouette's way does not work on synced subclips, you have to unlink and modify the master clip from which it is made, even more faff... The why question; there is a habit of sound recordists giving an extra mixed track that has been Cedared, this is not in phase with the others