Traveling. Short answer- you generally lose up to half of your vertical resolution. Google deinterlace.

Do not take this as total fact, but I thought that Frameflex did not work in groups. Period. My work flow would be put a resize on for "offline" purposes (add a marker a well). Once pix locked, commit the groups, go back to resizes and redo with the frameflex that SHOULD show up on the new commited clips. Jef

[quote user="marluc"] Jef, I canot tell you what method was used to convert the original files from 1/2 inch open reel tape, but I can tell you they were given to me in three formats: [/quote] Ok, so from your response I surmise that someone else captured these files for you. Is there any way you could share a small original file with us to

The real question is in which version of MC did Frameflex appear? I can remember or find a quick answer. Maybe Chris Bove would know? EDIT: Ok, Ver 7 is where Frameflex appears, so it would seem that the OP should be able to handle this. There have been versions of Frameflex that had poor visual quality, but that is hard to keep track of. Personally

I may have missed this bit of info, but I am curious as to what tech / method was used to digitize the original files? And just a side note (which may have already been addressed) but DNxHR does NOT support interlace in any fashion. Jef

Did you try committing groups before making EDL/AAF? Jef

I do not think it is off topic at all. The decisions made at every stage of a production impact the final result. You asked specifically about streaming. My thoughts cover both “broadcast” and “streaming” as they really overlap. The first thing I would say is to know the tech specs for delivery as early as possible. This is sometimes

[quote user="Telegram!"] .... [/quote] Telegram!, Not sure what is going on in the forum but the quote above is what I see. But I received a email response that is much longer from Telegram. It was not a direct message (at least I do not think so) as the From address was Forum Administrator. You might want to repost that if you can if in fact

[quote user="Glenn Sakatch"] The rule in my suite is "everything is the edit frame rate before it gets into the show" It isn't a huge issue if it is a quick an dirty project, that is only touching Avid, but most of my shows go out to Resolve for color, and back into Avid for mastering, and conversion to what ever the distributor

For a variety of reasons I always have a clip of "real black" available. This can made many different ways and used in lots of projects. You could put this between your vid and text and crop to taste. By "real black" I mean make a frame of black in some tool. Link or import into Avid making sure it's level is correct and it's