Hi Jay Handleson, I have a set attached a scarcely used Euphonixs panel. Assuming you still want them contact me ([email protected]) with your postal address. Andrew

[quote user="Avit"]I am joining a new company they use Avid to edit[/quote]Good luck with the new company. From my experiences you should have no issues with importing Resolve AAF's into their full versions of MC.

Are you using Avid Media Composer first? I have not had your issue using the full version of Media Composer. I have no experience using MC First so I suspect that MC first could be your issue. FWIW I deliver (export) my Resolve AAF directly into a newly created folder with a numeric only name in my media drives Avid MediaFiles\MXF folder. Then open

[quote user="Philip Kapadia"]but how do other people do it?[/quote]I start in Resolve. I have a Resolve project management template to insure the correct Resolve setting for the MC project settings. In the Resolve project I use the appropriate Colour space transform to get my media into a RGB legal format. AAF from Resolve to MC using a new

Hi Dave, How do you find the video rendering speed for Topaz Video AI frame rate conversion? Do you process the audio at the same time? I do not do the audio but the video only rate is down at something between 3 and 7 frames per second when changing HD 25P to 50P. The results are good, no question about that. However working with 1 hour plus source

[quote user="David Yardley"]They could spool so fast you hardly got one swig.[/quote]Thanks, I knew there had to be a reason beyond mere cost that prevented me from buying Ampex VPR 3's . Multiple U-Matic and Beta SP decks just suited demands on my wallet and coffee habits better.

[quote user="Job ter Burg"] Preroll those mf's! [/quote]Surely you miss those lovely machines! Back when your edit was allocated double or triple the times you get these days. Hell you could make and drink half your coffee whilst the machine(s) spooled to the mark in, then finish the coffee during the numerous aborted Prerolls!!

If I remember correctly Avid had their own DV codec, probably QuickTime based. Maybe someone in Avid could help with the last version of Avid that handled DV properly and what you would need to make it work these days. I may still have an installer for a version that works and a perpetual licence dongle that MAY still make it work if that could help

Thanks for the reply Bruno M. Good to know there are other options out there. I built my method with only my setup in mind and have had Resolve, Pro Tools on MC computer for well over a decade. I create a Resolve and MC project at the start of every job. MC for all editing and Resolve for Linking, proxie creation and subsequent re linking and grading

[quote user="Bruno M"]I've found this to also be the case with Davinci Resolve, when you use it to make Op Atom files - the source file info gets lost from the metadata.[/quote]Hi Bruno M, I do not use reel names in my MC projects but now I am curious with this as to whether using the standard Resolve deliver template directly into an