[quote user="goodBoy"] I'm trying to use this on a sequence in 2019.12.2. No luck. I have a 1h15min MXF OP1a (DNxHR HQ) export, and I'm trying to insert edit a 5 second shot. Doesn't work, no matter what length my IN-OUT is, I get the following error message: "The sequence duration is longer (325 frames) than the destination

I'm trying to use this on a sequence in 2019.12.2. No luck. I have a 1h15min MXF OP1a (DNxHR HQ) export, and I'm trying to insert edit a 5 second shot. Doesn't work, no matter what length my IN-OUT is, I get the following error message: "The sequence duration is longer (325 frames) than the destination clip duration"

[quote user="Pat Horridge"] Have you tried creating a new user setting to see if that fixes it? [/quote] Yes I tried that- they're still there

Does anyone have any idea what these weird counters are in the composer window? Never had them before I updated from 2019.11 to 2019.12.2. When I resize the window they just stay in the same place. The number always stay the same.

Thanks so much for this plug-in... it's saving my life on my current project bringing in titles from After Effects. Just one thing I am unable to do... reposition graphics as you can with the regular Avid Matte Key. If you ever are going to do another version of the plug-in, this feature would be greatly appreciated. Thanks again!

Thanks radrattus I haven't been able to connect by NFS for some reason, but I don't think it would work anyway with the filenames I use. Saving projects locally is not too big a deal. I'm editing by myself most of the time anyway. It's just a bit annoying not having the actual project available on shared storage. As a workaround I've

I've been in contact with both QNAP and Avid support about this issue, since I've been unable to get projects to save using any network protocol. QNAP says that Avid must change their file handling behaviour, and then Avid says that it's QNAP's fault for not supporting the protocol. I blame QNAP more since they advertise on their website

Great- thanks for the advice. Just a question- DNxHR HQ is 8-bit. Isn't 10 bits much better for graphics? I guess then using ProRes 4444 would be better, if DNxHR HQX is buggy?

That works too, but file sizes are still pretty big. Avid creates a separate 1:1 file for the Alpha channel, so that's the same size no matter what codec you use. At least that's how it appears to me!

I'm just trying a free plugin now called Blend-X. Seems to work ok: http://djfio.com/blend/