Maybe related to the FrameFlex limitation with Group Clips? When clips are grouped FrameFlex is bypassed during playback. This irritates us to no end. A lot of time we will get pocket camera footage that's upside down and we'll use FrameFlex to flip it over but when you hit play it's back to upside down. Once the group clip is commited then

Quick question. During your original ingest did you assign Tape names to the cell phone clips? I ask because assigning Tape names deletes the original file path meta data attached to the Master clips in Avid and this makes relinking 10x harder or even impossible.

Dongle update download links have been broken for a very long time. On a related matter the link to convert Dongles to digital licenses in Avid Link is also broken and has been for a very long time. Release after release this ability in Avid Link hasn't worked so I don't know why it's even in there.

Make sure you are not stacking LUTs. If there were any LUTs (even just a full range to 709) already on the footage when you added the LUT they will stack not replace. In the Source Settings > Color Encoding there should be only one Color Transformation listed when only one LUT is applied. Also, are you applying the LUT through Source Settings or

QuickTime Reference exports are MOV files that link to the media inside the Avid MediaFiles folder. In order for the video to be playable it needs to be a codec that QuickTime understands and be uniform through your sequence. What codec is the media in your timeline? Is your Avid MediaFiles folder local on a drive or remote on shared storage? Did the

There were documented issues between some 2018 versions and later versions and Avid did release an update in the 2018.12.x line that fixed the issue. I don't recall which point release fixed it but the readme's would have that info.

Don't wish to jump in to the fray of should be included or not. However, you can purchase the DINR noise reduction plug-in ($99) and install it into Media Composer. No Protools required. You will need an iLok dongle though. https://www.avid.com/plugins/dinr https://www.sweetwater.com/store/detail/iLok3--pace-ilok-3rd-generation

Do you have Apple's Pro Video codecs installed? https://support.apple.com/kb/DL2050?locale=en_US Pro Video Formats package provides support for the following codecs that are used in professional video workflows: Avid DNxHD® / Avid DNxHR® decoder

[quote user="Job ter Burg"] [quote user="ck123"] So, while Paramount is still using Media Composer, Johnny Post Works is using Premiere. And when Paramount hires Johnny Post Works, guess what Johnny is going to use, Premiere. [/quote] You're missing one thing, though: Such a studio would always want to be able to fire and replace

[quote user="jfinlan"] Call me old-fashioned but I wish they'd just bring up a version that doesn't crash all the time, especially when in effects mode. I'm running 2021.12 on Big Sur (Intel). Frequent crashes in effects mode. I was on Catalina and lots of crashes there too. I could try Monterey but can't see it getting better