For an AAF from Avid imported into Resolve creating a timeline, the Edit Index "Reel Name" seems to be Avid Master Clip "Source Icon" name metadata. (This is default Resolve behavior if turning on Reel Names. And one can view this everytime if in Resolve there was no media present and one imported the Avid created AAF.) The "Source

Three pieces of metadata from each master clip are important for roundtripping from Blackmagic Design DaVinci Resolve to AVID Media Composer. Just three. Learn where they are, manage them consistently, and you will be able to use this metadata to manage ‘essence’ (the actual media) in your Media Composer-Resolve roundtrips with perfect,

Alexa files I have seen, seem to have either 20 or 8 characters in the tape name. So an ALE imported into Avid supports those naming conventions. If for some reason there is a need to go past 32 characters: If a master clip has 32 or more characters for the "Tape" name metadata, version 8.4 Media Composer displays a prompt that is allowing

Hi guys, I’m a die-hard AVID user. I was an ACSR-elite for years, working at a facility with enormous storage capacity. I love AVID, but I’ve found certain inefficiencies that slow me down. That’s why I’ve incorporated Resolve into my workflow. As an online editor, I take an offline cut—low-resolution proxy footage with

In the Avid Bin Select Both the Sequence and the Master clip at the same time and then go to the clip menu and Choose "Relink". For a relink to work in the Avid Bin "fps" (frame per second) column needs to match the clip used in the sequence with the original source file. If so it can be as simple as selecting the sequence and the

omfiHPDomain_INIT_FAILED error. - Maybe this can help shine some light what can also solve this problem. Ever since original Media Composer v7.0 (1998) there has been an issue under some circumstances after a crash "omfiHPDomain_INIT_FAILED" error message can appear and all the media will go offline media, etc. Avid has a file titled something

29.97fps to 23.976fps with cadence removal. In an Avid Bin, select under the "Field Motion" column: cadence 2:2:2:4 select "Progressive" to remove a 2:2:2:4 cadence and have the video playback smooth cadence 2:3:3:2 select "2:3 Film" to remove 2:3:3:2 and have the video playback smooth cadence 2:3:2:3 select "2:3 Film"

[quote user="jef"] Curious as to why you (Scott) are using the motion effect rather the the newer timewarp tool? Jef [/quote] -30.00 FPS motion effect in the bin: by typing in "-100" % Speed in the "Motion Effect Editor" the interlaced video of 1080 horizontal lines / 59.94 project from what I am seeing how the avid is

[quote user="BenoitM"] What is the best (least destructive) rendering option for the basic (100%) reverse motion Timewarp effect when both input and output are interlaced ? [/quote] If the source master clip is interlaced where each field is a different moment in time (not progressive video source 29.97p). possible solution from what my metadata

I have been testing and retesting this out with sequences, on newer Avid Media Composer Versions... ...If the master clips in an Avid bin are populated with metadata in "Aux TC2" (Usually start timecode) and a user created custom column (I make a custom column called "LINK" and populate this with the file name)... ...Then Avid Media