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Posted to
Avid Community Tips
(Forum)
by
chippymafia
on Thu, Feb 24 2022
Mixing
Mixing
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Posted to
Avid Community Tips
(Forum)
by
gyipau
on Sat, Oct 31 2020
Telegram! - Fixing a crooked shot.
This how-to is about using Blend / 3D Warp keyframes (along with SpectraMatte for Chroma key) to create a "touch-screen" illusion. Download and Unzip these 4 links to see how this effect is put together on your system. I improved the key, and tried to make the whole thing loop-able by changing...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Telegram!
on Sat, Mar 10 2018
How to sync audio/video with external audio in Avid
When it comes to sync, Avid still pushes the old good sound timecode methods. Which doesn't mean it's bad or good. It works well when it works, and it fails great when it fails. If a crew can handle the technicalities involved ( and higher costs) , extra equipment, and more expensive one, then...
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
edit8co
on Mon, Sep 26 2016
making a 23.976 fps deliverable CCM, reconformed with some 29.97 fps video cadence sources in Avid Symphony
Duration and horizontal lines preserved when going from 29.97 to 23.976 frames per second by playing back the video cadences of 2:3, 2:3:3:2, or 2:2:2:4 as 2:2:2:2. A slight crackle from a fire. Look and feel the water before diving in might have some value. Deep into the forest, rays of light, slight...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Thu, Sep 17 2015
media composer MXF OP-Atom to resolve "REEL NAME" and tapeless sources
For an AAF from Avid imported into Resolve creating a timeline, the Edit Index "Reel Name" seems to be Avid Master Clip "Source Icon" name metadata. (This is default Resolve behavior if turning on Reel Names. And one can view this everytime if in Resolve there was no media present...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Fri, Sep 4 2015
Tutorial Thursday roundtrip DaVinci Resolve & Avid Media Composer
http://www.avidblogs.com/how-to-roundtrip-davinci-resolve-to-avid-media-composer-tutorial/ For Avid Media Composer users, in this tutorial step 25 alone is super important where it can make the difference between the relink command working for a sequence selected to master clips or not working. Step...
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
Scott_Freeman
on Sat, Aug 1 2015
Avid Video Mixdown as a Source for DaVinci Resolve
I wrote a step-by-step: preparing the embedded metadata of an Avid Media Composer video mixdown mxf media file for a DaVinci Resolve conform. http://library.creativecow.net/freeman_scott/Avid-Video-Mixdowns_DaVinci-Resolve/1
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Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Sat, Dec 13 2014
120fps footage from iPhone 5s & Media Composer
In this video tutorial, I sh ow how to use 120 fps footage shot on the iPhone 5s in Avid’s Media Composer Software. Viewers will get to see how to ingest, render, and manipulate this footage, as well as see some great juggling. iPhone 120FPS and Avid Tutorial from Red Arrow Industries on Vimeo...
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
RedArrowRyan
on Thu, Jul 10 2014
Media Composer AutoNotch Tip for Color Grading Prep
I came up with this trick in the 90s when Symphony first came out. Graded a show last week using this prep method for notching so I thought I share it. Only a couple of dozen editors will remember the post way way back when we were on 2400 baud dial-up modems. http://www.youtube.com/watch?v=lCYSV_SA65M...
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Posted to
Avid Community Tips
(Forum)
by
Jeff Krebs
on Wed, Feb 19 2014
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