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convert 29.97 fps to 23.976 on the fly
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Posted to
Avid Community Tips
(Forum)
by
chippymafia
on Thu, Feb 24 2022
Mixing
Mixing
(read more)
Posted to
Avid Community Tips
(Forum)
by
gyipau
on Sat, Oct 31 2020
making a 23.976 fps deliverable CCM, reconformed with some 29.97 fps video cadence sources in Avid Symphony
Duration and horizontal lines preserved when going from 29.97 to 23.976 frames per second by playing back the video cadences of 2:3, 2:3:3:2, or 2:2:2:4 as 2:2:2:2. A slight crackle from a fire. Look and feel the water before diving in might have some value. Deep into the forest, rays of light, slight...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Thu, Sep 17 2015
media composer MXF OP-Atom to resolve "REEL NAME" and tapeless sources
For an AAF from Avid imported into Resolve creating a timeline, the Edit Index "Reel Name" seems to be Avid Master Clip "Source Icon" name metadata. (This is default Resolve behavior if turning on Reel Names. And one can view this everytime if in Resolve there was no media present...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Fri, Sep 4 2015
Tutorial Thursday roundtrip DaVinci Resolve & Avid Media Composer
http://www.avidblogs.com/how-to-roundtrip-davinci-resolve-to-avid-media-composer-tutorial/ For Avid Media Composer users, in this tutorial step 25 alone is super important where it can make the difference between the relink command working for a sequence selected to master clips or not working. Step...
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
Scott_Freeman
on Sat, Aug 1 2015
Re: Optimize Pro Tools: Set Default Plugins
If there were any plug-ins in the Setup none under Default EQ and none Under Dynamics under none is none and under default selection is 1 EQ AIR KILL and none, protools choices in protools 10/11 bundled. one total choice. The program does nothing. ALL my pro tools FILES ARE NOT SONGS OR VIDEOS THEY WOUND...
(read more)
Posted to
Avid Community Tips
(Forum)
by
JimmyWestra
on Sat, Dec 27 2014
Avid Video Mixdown as a Source for DaVinci Resolve
I wrote a step-by-step: preparing the embedded metadata of an Avid Media Composer video mixdown mxf media file for a DaVinci Resolve conform. http://library.creativecow.net/freeman_scott/Avid-Video-Mixdowns_DaVinci-Resolve/1
(read more)
Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Sat, Dec 13 2014
online conform using Avid Symphony and Resolve with AMT
I wrote a step-by-step tutorial for Avid to Resolve to Avid MXF workflow http://library.creativecow.net/freeman_scott/AVID-Framerate-Metadata/1
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
Scott_Freeman
on Sat, Jun 21 2014
Media Composer AutoNotch Tip for Color Grading Prep
I came up with this trick in the 90s when Symphony first came out. Graded a show last week using this prep method for notching so I thought I share it. Only a couple of dozen editors will remember the post way way back when we were on 2400 baud dial-up modems. http://www.youtube.com/watch?v=lCYSV_SA65M...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Jeff Krebs
on Wed, Feb 19 2014
Round-tripping Between Media Composer and daVinci Resolve
At a recent Editors' Lounge Editor and Avid specialist Scott Freeman dives deep into proper workflow techniques for "round-tripping" Avid projects through Da Vinci Resolve, including file name management, EDLs and much much more . http://editorslounge.com/2013.09-avid-resolve/sep2013-freeman...
(read more)
Posted to
Avid Community Tips
(Forum)
by
TCurren
on Fri, Dec 20 2013
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