Duration and horizontal lines preserved when going from 29.97 to 23.976 frames per second by playing back the video cadences of 2:3, 2:3:3:2, or 2:2:2:4 as 2:2:2:2. A slight crackle from a fire. Look and feel the water before diving in might have some value. Deep into the forest, rays of light, slight... (read more)

For an AAF from Avid imported into Resolve creating a timeline, the Edit Index "Reel Name" seems to be Avid Master Clip "Source Icon" name metadata. (This is default Resolve behavior if turning on Reel Names. And one can view this everytime if in Resolve there was no media present... (read more)

http://www.avidblogs.com/how-to-roundtrip-davinci-resolve-to-avid-media-composer-tutorial/ For Avid Media Composer users, in this tutorial step 25 alone is super important where it can make the difference between the relink command working for a sequence selected to master clips or not working. Step... (read more)

If there were any plug-ins in the Setup none under Default EQ and none Under Dynamics under none is none and under default selection is 1 EQ AIR KILL and none, protools choices in protools 10/11 bundled. one total choice. The program does nothing. ALL my pro tools FILES ARE NOT SONGS OR VIDEOS THEY WOUND... (read more)

I wrote a step-by-step: preparing the embedded metadata of an Avid Media Composer video mixdown mxf media file for a DaVinci Resolve conform. http://library.creativecow.net/freeman_scott/Avid-Video-Mixdowns_DaVinci-Resolve/1 (read more)

I wrote a step-by-step tutorial for Avid to Resolve to Avid MXF workflow http://library.creativecow.net/freeman_scott/AVID-Framerate-Metadata/1 (read more)

I came up with this trick in the 90s when Symphony first came out. Graded a show last week using this prep method for notching so I thought I share it. Only a couple of dozen editors will remember the post way way back when we were on 2400 baud dial-up modems. http://www.youtube.com/watch?v=lCYSV_SA65M... (read more)

At a recent Editors' Lounge Editor and Avid specialist Scott Freeman dives deep into proper workflow techniques for "round-tripping" Avid projects through Da Vinci Resolve, including file name management, EDLs and much much more . http://editorslounge.com/2013.09-avid-resolve/sep2013-freeman... (read more)

In this Avid Media Composer video tutorial, you'll learn to use Source Side reformatting to adjust the aspect ratio of clips in your Media Composer sequence. The technique allows you to convert part or all of a sequence from one frame size to another, but doesn't allow you to select the extracted... (read more)

In this video tutorial, you'll learn to use Record Side reformatting to adjust the aspect ratio of clips in your Media Composer sequence. The technique allows you to convert part or all of a sequence from one frame size to another. In part 2, you'll learn source-side reformatting and in part... (read more)