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Posted to
Avid Community Tips
(Forum)
by
chippymafia
on Thu, Feb 24 2022
Mixing
Mixing
(read more)
Posted to
Avid Community Tips
(Forum)
by
gyipau
on Sat, Oct 31 2020
media composer MXF OP-Atom to resolve "REEL NAME" and tapeless sources
For an AAF from Avid imported into Resolve creating a timeline, the Edit Index "Reel Name" seems to be Avid Master Clip "Source Icon" name metadata. (This is default Resolve behavior if turning on Reel Names. And one can view this everytime if in Resolve there was no media present...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Fri, Sep 4 2015
Tutorial Thursday roundtrip DaVinci Resolve & Avid Media Composer
http://www.avidblogs.com/how-to-roundtrip-davinci-resolve-to-avid-media-composer-tutorial/ For Avid Media Composer users, in this tutorial step 25 alone is super important where it can make the difference between the relink command working for a sequence selected to master clips or not working. Step...
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
Scott_Freeman
on Sat, Aug 1 2015
Avid Video Mixdown as a Source for DaVinci Resolve
I wrote a step-by-step: preparing the embedded metadata of an Avid Media Composer video mixdown mxf media file for a DaVinci Resolve conform. http://library.creativecow.net/freeman_scott/Avid-Video-Mixdowns_DaVinci-Resolve/1
(read more)
Posted to
Avid Community Tips
(Forum)
by
Scott_Freeman
on Sat, Dec 13 2014
Why Do You Need Color Correction?
In this video Terence Curren gives a few examples of how color correction can help with your video production. https://vimeo.com/108177218
(read more)
Posted to
Avid Community Tips
(Forum)
by
TCurren
on Thu, Oct 9 2014
Media Composer AutoNotch Tip for Color Grading Prep
I came up with this trick in the 90s when Symphony first came out. Graded a show last week using this prep method for notching so I thought I share it. Only a couple of dozen editors will remember the post way way back when we were on 2400 baud dial-up modems. http://www.youtube.com/watch?v=lCYSV_SA65M...
(read more)
Posted to
Avid Community Tips
(Forum)
by
Jeff Krebs
on Wed, Feb 19 2014
Round-tripping Between Media Composer and daVinci Resolve
At a recent Editors' Lounge Editor and Avid specialist Scott Freeman dives deep into proper workflow techniques for "round-tripping" Avid projects through Da Vinci Resolve, including file name management, EDLs and much much more . http://editorslounge.com/2013.09-avid-resolve/sep2013-freeman...
(read more)
Posted to
Avid Community Tips
(Forum)
by
TCurren
on Fri, Dec 20 2013
Avid DS Introduction to LUTs Pt 2 of 2
This is the second part of the color management tutorial for Avid DS. The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although this tutorial by Igor Ridanovic from HDhead.com looks...
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
Igor Ridanovic
on Wed, Feb 27 2013
Using NewBlue ColorFast in Avid Media Composer
In this tutorial Kevin McAullife uses NewBlue ColorFast to create scenes that pop. Aim for perfection with this quick color correction and color-grading tool from NewBlueFX. Our Spectra Color Isolating Technology lets you define regions and actively isolate those pixels for precise control over color...
(read more)
Posted to
Avid Community Tutorials
(Forum)
by
NewBlueFX
on Wed, Feb 20 2013
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