For an AAF from Avid imported into Resolve creating a timeline, the Edit Index "Reel Name" seems to be Avid Master Clip "Source Icon" name metadata. (This is default Resolve behavior if turning on Reel Names. And one can view this everytime if in Resolve there was no media present... (read more)

http://www.avidblogs.com/how-to-roundtrip-davinci-resolve-to-avid-media-composer-tutorial/ For Avid Media Composer users, in this tutorial step 25 alone is super important where it can make the difference between the relink command working for a sequence selected to master clips or not working. Step... (read more)

I wrote a step-by-step: preparing the embedded metadata of an Avid Media Composer video mixdown mxf media file for a DaVinci Resolve conform. http://library.creativecow.net/freeman_scott/Avid-Video-Mixdowns_DaVinci-Resolve/1 (read more)

In this video Terence Curren gives a few examples of how color correction can help with your video production. https://vimeo.com/108177218 (read more)

I came up with this trick in the 90s when Symphony first came out. Graded a show last week using this prep method for notching so I thought I share it. Only a couple of dozen editors will remember the post way way back when we were on 2400 baud dial-up modems. http://www.youtube.com/watch?v=lCYSV_SA65M... (read more)

At a recent Editors' Lounge Editor and Avid specialist Scott Freeman dives deep into proper workflow techniques for "round-tripping" Avid projects through Da Vinci Resolve, including file name management, EDLs and much much more . http://editorslounge.com/2013.09-avid-resolve/sep2013-freeman... (read more)

This is the second part of the color management tutorial for Avid DS. The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although this tutorial by Igor Ridanovic from HDhead.com looks... (read more)

In this tutorial Kevin McAullife uses NewBlue ColorFast to create scenes that pop. Aim for perfection with this quick color correction and color-grading tool from NewBlueFX. Our Spectra Color Isolating Technology lets you define regions and actively isolate those pixels for precise control over color... (read more)

The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although this tutorial by Igor Ridanovic from HDhead.com looks at Avid DS specific color management tools, it also lays down the... (read more)

A simple custom Color Spot Checker preset for Avid DS simplifies color correction in file based workflows. This tutorial by Igor Ridanovic covers the use of the preset and some simple steps in basic color balancing. The free preset is available for download at HDhead.com . (read more)