Hi, I'm working on a show where I would like to provide the colorist with Apple ProRes 4444 quicktimes of the titles to match all of the other ProRes 4444 footage in the piece. I created all my titles in Avid and rendered them as 1:1p 10bit MXF. When I export a Quicktime of the Avid titles, I try... (read more)

I have been trying to work this problem out for quite sometime, and feel like I have a workaround, but finally have time to figure out a tried and true workflow for the 5D mark iii and Avid MC. I spent days trying to figure out different workflows. What I found that regardless of import, ama, transcode... (read more)

The issue with the AMA import of h.264 files seems to be around details in the highlights and shadows, otherwise it seems to be okay. I noticed it when cutting a film shot in very dark conditions. That suggests to me that it's either something to do with gamma shift or the difference between 0-255... (read more)