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z7u
Dupe Detection signalling clip duplication where there is none
Hello I posted this on the Media Composer Mac forum, but got no answers, so I thought I'd try my luck here as I'm working in a 24p Film project: I have a query about Dupe Detection. Basically on a stringout sequence of autosynced subclips, I have Dupe Detection turned on and it's showing...
(read more)
Posted to
Film and 24p
(Forum)
by
Jack Worms
on Mon, Sep 27 2021
8mm home movie film Telecine specs? & 23.98 Avid project or 24?
Hello all, I'm in the process of getting 60 year old home movies professionally transferred by Pro8mm, with the plan to make a documentary short from them. Pro8 has a wide range of specs available, and before I commit to getting 3hours of footage transferred, I'd like to get a sense of what's...
(read more)
Posted to
Film and 24p
(Forum)
by
Davelip75
on Tue, May 19 2020
Help with post workflow
I have a job where the 80% of the footage has been shot on a domestic camcorder at 29.97 1440 x 1080 The client wants to enter it to festivals so potentially I need to convert it all to 24p. Would it be best to cut at native rate and then convert later or convert first?
(read more)
Posted to
Media Composer: Get Started Fast
(Forum)
by
John Turner
on Mon, Mar 30 2020
Different from the time code of the master TC...
Hi,everyone. I'm using AVID MC6.5.3 The data that were asked to convert from RAW data to DNxHD36 codec mxf have been imported in the AAF. At that time, it will occur a phenomenon that master TC change at random. Even if many times again the import will be the same phenomenon. It will be correct When...
(read more)
Posted to
Avid Media Composer - PC
(Forum)
by
march841
on Tue, Oct 4 2016
Re: debugger when trying to import audio on mc8.3.1
exactly the same issue here. 8.4.xx, 2K, 24p, Film and no import possible. it happens also with ale-files.
(read more)
Posted to
Avid Media Composer - Mac
(Forum)
by
Tilmann
on Sun, Jan 24 2016
Super 16 mm workflow research, recommendations
Hi there. I'm soon to start cutting a feature that will be shot super 16 but i'm not yet up to speed with current s16mm film workflows. At this stage, beacuse i don't know exactly what the producers will settle on for deliverables I'm looking for general advice. Would people usually use...
(read more)
Posted to
Film and 24p
(Forum)
by
matthewh
on Fri, Oct 30 2015
24P display with AJA ioExpress - Working!
Thanks to Job ter Burg for helping me get this problem fixed. I have an AJA ioExpress and Sony LMD 2110W client monitor. In a 24P project, I wasn't getting a video output from MC via the AJA box, just a black screen. I contacted Job after reading a past post of his relating to my problem. He got...
(read more)
Posted to
Avid Media Composer - PC
(Forum)
by
Leo153
on Mon, Dec 29 2014
24P Image Sequence to 59.94i Avid Project?
Hi All, I recently encountered a problem that may be familiar to some of you. Our situation: we had an image sequence (PNG) rendered from After Effects. The correct playback rate of the image sequence is 23.976 FPS. However, we wanted to import this image sequence into a 1080i/59.94 Avid project. Our...
(read more)
Posted to
Avid Media Composer - PC
(Forum)
by
Jason Stoughton
on Thu, Jun 12 2014
Re: Why shoot 24p for TV?
24p gives you a better picture for the datarate if you are producing for corporate where most videos are deployed via the web. If you are producing for TV, I would think the video should be shot for whatever frame rate the local TV system uses.
(read more)
Posted to
General Discussion & Off-Topic
(Forum)
by
mBlaze
on Fri, May 30 2014
Mixed Frame Rate Issue/NTSC to PAL Conversion
Hiya! I am really hoping that someone could help me with this issue. I have Canon 5D Mark II Footage, along with DV CAM footage, and I am trying to edit the sequence as a 1080p/25 format setting. The 5D footage was shot at 24 fps and the external footage was shot at 25. The footage has a lot of movement...
(read more)
Posted to
Film and 24p
(Forum)
by
subliminalme
on Thu, May 15 2014
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