Hi all, I have been researching a bit in the past couple of weeks on upscaling solutions from SD to HD. I came across this article on RedsharkNews: https://www.redsharknews.com/production/item/6227-how-ai-is-helping-to-make-the-best-classic-tv-series-restorations in the comment section a user describes...

Hey all- Just curious what some of your compression worfklows are now that Sorenson Squeeze is out of the picture. Our finishing workflow used to be outputting a Quicktime Reference file, import the QTREF into Sorenson, assign a preset, "squeeze", and then continue working within AVID on another...

Any EVA1 users out there? We do a lot of work with the EVA1 and Avid. We film in 10bit 4:22 150 or 400 bit, 24p. To do this we have to film in LongGOP. Avid doesn't export LongGOP natively, or so that's what we've experienced, so we have to force the film output in QT Movie, Custom, Avid...

To start, I apologise if this is in the wrong forum, but I am struggling to find an easy workflow for my friend's short film that I have agreed to edit. We shot it on the Sony FS7 (4096x2160) and the Sony A7S Mkii (3840x2160) and recorded with a Zoom F4 kit. So as of now we have separate 4k footage...

Hi, does anybody know where to set an prefered AMA plug in for the source browser? On every new path you navigate, source browser is processing the MXF files of SONY cameras with the AVID MSP_MXF plugin instead of the XAVC_XDCAM Nablet plugin. This is very uncomfortable, because you must always wait...

Hey there, pros. I first learned Avid on ExpressDV and got very accustomed to using the "S" hotkey to advance to the next edit & the "A" hotkey to move to the previous edit. End of story. I've been on Media Composer since version 5 and am now working on 8.9. One of the minor...

I'm helping a friend set up his avid project and it was unfortunately shot at multiple frame rates. I've only ever worked with 2 at most (usually the base frame rate and then something we'd be using for slowmo). Right now we have these different frame rates 23.97fps (what the director wants...

It would be a nice feature, if you are exporting for an xdcam disk, or other exports, with an option to limit the colors for tv-norms (with Presets). So the editor is safe, when he has to deliver to a tv-station.

I'm about to start a project that was shot on Alexa Mini cams with ProRes XQ444 codec at 23.98. I will be delivering at 1080 23.98 for major network broadcast as well as 1x1 for mobile devices. It's been a year or so since I've worked with 4k clips so I'm looking for workflow advice....

Hello community, I've been working as an animatic editor in France for 5 years now, but only on Toonboom Storyboard (witch is the standard right here to keep the Storyboard/Editing workflow fluid through versions, and allows direct drawing corrections). It's limited, but does the job. I'll...