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Achieving a convincing chroma key composite is more than just slapping in a background and keying a foreground. It requires the use of integration techniques to marry the image elements together to give the impression they were shot with the same camera at the same time. This five-part tutorial demonstrates...
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You might also look at my response here in the forum to another new user. I do recommend taking all three classes and then also working with someone who is experienced, or hiring someone who knows the DS for a time while you get your feet wet.
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I took the DS courses. I also took the Avid Media Composer courses. I took MC courses from Future Media Concepts in NYC and they were really expensive for a freelance editor to afford. And then, it hit me. When you take the courses on the Media Composer or Symphony or DS, you get an overview of the capabilities...
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