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I'm relatively new to Media Composer, so be gentle. A new place I'm freelancing for has two Mojo based MC systems one is 2.8 the other 3.x. The client hates the idea of batch capturing so that leaves me with long capture times. I would love to capture on one system while cutting on the other...
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My goal is to create a pilot episode to pitch to broadcasters of outdoor networks. I have 70 hours of video shot in HDV 1080i and from the forums I've read, I'm thinking it's true that I should first capture downconverted DV25 into an NTSC 30i project for editting. (Please correct any of...
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Okay I'm getting so close to understanding which workflow I should use for my project but have still a couple questions before diving in head first. Your help will be huuuugely appreciated!! I shot 70 hours in HDV 1080i with a Sony HVR-A1u and want to create a pilot episode to pitch to an outdoor...
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I've read so many posts and am still having a hard time with what workflow I should set up for my project. I have about 60 hours of HDV 1080i video that I need to chop up to form a 1 hour pilot that I will pitch to broadcasters. Some Avid members have said they'd: "Capture in HDV, then transcode...
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