Showing related tags and posts accross the entire site.
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Hi there, I'm new to the forum so please have mercy on me! I've got the following Problem: I took over a job that's been shot on Red (4K). The files were converted into QT files Apple Pro Res HQ, cause the plan was to edit it in Final Cut. The final output will be a HD clip, I'm not going...
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Just opened a sequence using Boris BCC FX on a new box running MC 3.5.4. Scene has watermark on it and Effect Palette does not offer a button to enter license as illustrated on Boris website. Tried reinstall to no avail. Any suggestions? Thanks, Jayson Mac Pro 2.93, 8 GB, MC 3.5.4, Nitris
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Once the Digital Intermediate is completed in case the project is bound for theatrical distribution the files can be either shot to film or mastered to a digital cinema package. All of these steps can be technically complex. The steps would look something like this: RED post, picture steps only: 1. Dailies...
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Some of you may have seen this. Thought I'd share in case anyone missed out. http://community.avid.com/forums/post/418673.aspx
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As far as the frame rate and project settings are concerned, 29.97p and 59.94i are the same thing. The numbers refer to frames in the case of "p" and fields in the case of "i" and there are twice as many fields. For example 29.97 x 2 = 59.94. Any 59.94i clip is really playing back...
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You can download a trial version of Media Composer. I think it will run for two weeks.
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Actually, DS has been supporting the RED SDK for a while now. I believe it was the previous release 10.1 that introduced RED support.
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[quote user="slabross"] Instead, capture the R3D file directly and sync the audio from the QuickTime file. [/quote] Is there any way to "trick" the DS into capturing the R3d vido footage in one pass and then the audio from a Proxy file perhaps in another pass? This would give you...
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Hey DS'ers, I am wondering what may account for a drastic color shift between captured 1080 dnxhd 220 of a Apple Prorez quicktime files (transcoded on set from R3D) and the linked 4k R3D file of the same timecode. While the same files have a much less noticeable (albeit noticeable) shift when imported...
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This tutorial covers the use of MetaFuze in preparation of RED camera dalies for Media Composer. Subscribe to the HDhead video tutorial podcast .