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Currently I have produced a video that looks fine on DVD with a regular tv screen. But on a LCD screen it has ragged edges around moving objects. I am familiar with the progressive and interlacing issue, but what exact settings do I need to produce a project that will look fine on both a computer LCD...
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Unfortunately I have to work with mixed formats in this current project, and cannot figure it out. I am working in a 30i timeline, with 6 interlaced HDV cameras captured at dv25. I want to add footage from the Sony EX 1 that was shot at 720p 29.97. Of course Avid is giving me a lot of headaches over...
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25p will look like film in your country. It's really no difference than interlaced video projects, save the end result will be progressively-scanned at 25 frames per second and there will be no fields. In countries that produce using PAL, interlace means you actually have fifty fields per second...
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I am on Media Composer 2.8.1 with Mojo. Trying to get media over from a FCP cluster-F, that was originally 720p P2 hvx200. I have no access to original media or know where it is. Most of it is in qtime .mov file. So I need to convert it to an .mxf type that Avid understands, as importing it even with...
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I shot a bunch of 24p SD footage with the JVC 250 Pro HD camera. I then opened a 23.976 timeline and imported. When scrubbing the timeline it's all interlaced. Then I went to export a QT ref file and it was all interlaced. I then squeezed it and it looks fine. How can I get a progressive frame export...
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