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DVCPro HD 720p/23.976 Quicktime reference export

Anybody come across this problem. I'm trying to export a quicktime reference or a "same as source" quicktime file and all I get is a white screen. The footage is from P2 cards shot on a HVX200. I'm on MC 2.8.4 using a MacPro 3g Quad-Core using Quicktime 7.3.1. Any thoughts or suggestions...

Posted to Avid Media Composer - Mac (Forum) by GBerge on Wed, Sep 3 2008
How To Change the Frame Rate of a P2 clip

Maximize your P2-workflow knowledge! In this video, learn how to change the frame rate of a P2 clip using DVFilm's MXFX, and edit with it in Avid Media Composer. Video Text: I’m Bob Russo with Avid Technology. Today I’m going to talk about how to change the frame rate and frame size of P2...

Posted to Expert Connections (Weblog) by BobRusso on Sun, Jun 1 2008
DC user group, run by Bruce Dixon of EFX Media, held meeting at WUSA Channel 9-TV

First a tour of the WUSA station was given to attendees by one of the news directors. He showed the newsroom area, assignment desk, master control room, media composer editing rooms for the promotion department and newscutters bays for the producer/reporters. Attendees also had the opportunity to see...

Posted to Events Rewind (Weblog) by brendab on Sat, May 17 2008
Re: Avid vs. Other nle's

HVXGUY, First off, welcome to Avid Community! Having read your recent posts, I though I'd share a few links on Community and Avid.com that should help: For answers about Media Composer compatibility with your MacPro check out the Media Composer system requirements page on Avid.com and the Apple Mac...

Posted to Avid Media Composer - Mac (Forum) by Adam Kranitz on Fri, May 16 2008
Streamline Your P2 Workflow

As most users know by now, the typical workflow for using P2 media is the (Texas-) Two-Step... File > Import P2 > Clips to Bin, File > Import P2 > Media. Most users, however, will go on to a third step: Transcode the raw DVCPRO HD material to DNxHD. The benefit of working in DNxHD on an Adrenaline...

Posted to Expert Connections (Weblog) by avid_a.k. on Wed, Apr 23 2008
"Standing Room Only" when Michael Phillips Shows up at Full Sail

It was a Full House at Full Sail when Avid Product Designer Michael Phillips presented Low Budget Filmmaking: Maintaining High Production Value and Increasing the Creative Process . Both students and faculty alike attended the first of what is hoped to be many educational events in Avid's partnership...

Posted to Events Rewind (Weblog) by JFeliceNY on Thu, Mar 13 2008
Using Panasonic P2 with Avid Media Composer

There are five new workflow tutorials that walk you through the basics of working with Panasonic P2 on Avid Media Composer 2.7 and later. They were created by Steve Holyhead and you can find them on YouTube by clicking on the following links: 1. Introduction 2. Frame Rates & Formats 3. Access &...

Posted to The Government Video Update (Weblog) by ejose on Tue, Feb 26 2008
How To Create an Offline-Online Workflow with Panasonic P2

One of the most popular emerging workflows in today's post-production world is the Offline-Online workflow with the Panasonic P2 camera. Watch this video to learn exactly how to take your HD media from the P2 card, edit at a SD resolution, and then relink back to its HD flavor. A transcription of my...

Posted to Expert Connections (Weblog) by BobRusso on Wed, Jan 30 2008
Free AVCHD to DVCPRO HD Transcoder

I had someone point me to a great free utility today. It’s a small Windows-only application that can transcode AVCHD clips recorded by cameras such as Panasonic’s AG-HSC1U into P2 DVCPRO HD. The files are written to a Panasonic P2-like folder structure, which you can then use within Avid Xpress Pro or...

Posted to The Government Video Update (Weblog) by ejose on Thu, Nov 29 2007

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