Has anything been done about this issue? I'm trying to export some ProRes 422 HQ Quicktimes for a distribution company and I always end up with what seems like this same RGB behaviour upon export (my blacks are getting crushed). Does anyone know of a solid way to convert DNxHD quicktime to ProRes...

Could someone please help me with these workflow questions? I just read the white paper about the ALEXA DNxHD support and they are suggesting the way to get the MXF media into the Avid is through AMA. For editorial on a commercial that might be great, but for a feature, I don't like that option....

Hey Etienne, I hate to drudge up old problems, while the workaround successfully worked for clients that use a GUI, we can't figure out a way to implement this on a system without the GUI... We have a farm that we'd like to handle this, but they don't even have graphics cards. Any ideas how...

We are a network owned and operated TV station group using Symphony Nitris / Media Composer NLEs to create promotional content for HD broadcast at eventual 720p60 (59.94). I come to you from the mindset of a broadcast Engineer rather than as a video Editor, but I have at times worn that hat as well....

Hi! I received files shot on a Phantom camera. They where converted in DPX format from a client. I'm using Avid MetaFuze to convert the media in MXF to edit in MC5.5. The RED and BLUE color channels are inverted. Can you help me? Thanks in advance P.S. Is the solution in MC5? Should I post this question...

Hi everyone, I recently visited Dubai and got the chance to use MC5 to create a time lapse of Dubai mixed with some HD footage, hope you like it! I shot and did all of the time lapse photography using the Canon 7D and the Canon 24-105 L series lens. Thanks, Richard.

Hi there I am in the process of transcoding a DPX sequence of a feature film into DNxHD 175. When I scan the DPX sequence of each reel in Metafuze 2.2.5, it reads some as a 24p and some as 25p sequence. I don't understand why this is so. After the transcoding and exporting of ALEs, I am able to relink...

Hello, I am setting up a workflow where I am transcoding exising files I am receiving from clients to an Avid DNxHD MXF format using a third party piece of software (Digital Rapids). The MXF DNxHD files generated by the Digital Rapids individually wrap the video and each mono audio track with the proper...

What's the minimum system requirement for doing this process? Our dailies will be shot 35mm, then picture-only (complete neg rolls) telecined to HDCAM. We'll then digitize the HDCAM tapes as DNxHD and sync up the audio in the cutting room using the files from a DEVA, which we'll get on DVD...