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<?xml-stylesheet type="text/xsl" href="http://community.avid.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results matching tag 'newcomer'</title><link>http://community.avid.com/search/SearchResults.aspx?a=0&amp;o=DateDescending&amp;tag=newcomer&amp;orTags=0</link><description>Search results matching tag 'newcomer'</description><dc:language>en-US</dc:language><generator>CommunityServer 2008 SP2 (Build: 31106.96)</generator><item><title>Using the Attic Folder</title><link>http://community.avid.com/forums/p/75272/420943.aspx#420943</link><pubDate>Wed, 09 Sep 2009 23:16:13 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:420943</guid><dc:creator>TrainerDave</dc:creator><description>&lt;p&gt;An attic is usually where you find dust, rats, spiderwebs and (if you live in the right kind of neighbourhood) portals to other dimensions.&amp;nbsp; However, the Avid Attic is not nearly as weird or scary as that! Get to know it, use it, love it...&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;/p&gt;</description></item><item><title>Bullet List with AvidFX</title><link>http://community.avid.com/forums/p/70090/391851.aspx#391851</link><pubDate>Wed, 25 Mar 2009 05:18:43 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:391851</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;Although Avid Title Tool and Avid Marquee are capable of handling most types of Text effects, it can be nice to find a quick way of using a Title template to do some more advanced effect.&lt;br /&gt;&lt;br /&gt;AvidFX has a very powerful Title tool under the bonnet.&lt;br /&gt;&lt;br /&gt;Here is a look at a quick way of creating a Bullet List.&lt;/p&gt;
&lt;p&gt;Good luck!&lt;br /&gt;Douglas&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;strong&gt;The playback screen can be maximised by using the &amp;quot;Full-screen&amp;quot; button in the control bar.&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>Global Audio Adjustment</title><link>http://community.avid.com/forums/p/69739/389892.aspx#389892</link><pubDate>Mon, 16 Mar 2009 05:57:50 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:389892</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;Not the only way to do it.&lt;br /&gt;But here is one way that I have found that makes sense to me.&lt;br /&gt;Also included is a little tip on resetting the Volume Slider to zero.&lt;/p&gt;
&lt;p&gt;Regards,&lt;br /&gt;Douglas&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;strong&gt;The playback screen can be maximised by clicking on the &amp;quot;Full-Screen&amp;quot; button on the control strip.&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>Add your own Transitions to the &amp;quot;Quick Transition&amp;quot; Menu</title><link>http://community.avid.com/forums/p/69347/387666.aspx#387666</link><pubDate>Fri, 06 Mar 2009 05:40:24 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:387666</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;I&amp;#39;d like to thank Pixel Monkey for starting a very interesting thread in Avid&amp;#39;s Tips &amp;amp; Tutorials area.&lt;br /&gt;His first post gave me the inspiration for this Tutorial.&lt;br /&gt;The url to his thread is:&lt;/p&gt;
&lt;p&gt;&lt;a href="http://community.avid.com/forums/t/62367.aspx"&gt;http://community.avid.com/forums/t/62367.aspx&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The &amp;quot;Quick Transition&amp;quot; Menu has a choice of:&amp;nbsp; Disslove, Film Dissolve, Film Fade, Fade to Colour, Fade from Colour and Dip to Colour transitions.&lt;br /&gt;The Tutorial explains how you can add your own creations to the drop down menu in the &amp;quot;Quick Transform&amp;quot; dialogue box.&lt;br /&gt;The basic concept opens up numerous possibilities that could help you speed things up a bit when you are using your &amp;quot;favourite&amp;quot; transition creations.&lt;/p&gt;
&lt;p&gt;Good luck!&lt;br /&gt;Douglas&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;strong&gt;The playback screen can be maximised by using the &amp;quot;Full-screen&amp;quot; button in the control bar.&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>From MC to WWW - 2. Encoding</title><link>http://community.avid.com/forums/p/69024/385844.aspx#385844</link><pubDate>Fri, 27 Feb 2009 07:57:09 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:385844</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;Getting from the MC timeline onto the Web causes lots of confusion.&lt;br /&gt;Mainly because of the many variations in video formats and codecs.&lt;br /&gt;There is no way that a set of 3 tutorials could cover all possibilities.&lt;/p&gt;
&lt;p&gt;Taking the simple approach I will show you my workflow and then leave it up to you to discover if and how you can use any of my ideas in developing your own workflow.&lt;/p&gt;
&lt;p&gt;The second tutorial describes one way of encoding your material to a flash (flv) file and wrapping it in a &amp;quot;skin&amp;quot;.&lt;/p&gt;
&lt;p&gt;I use a programme from On2 Technologies by the name of FlixPro. (I believe that a simpler version of the programme - Flix - can achieve the same results as FlixPro in my tutorial).&lt;br /&gt;Using FlixPro cuts out the need to use a 3rd party encoder such as Procoder or Sorenson Squeeze.&lt;/p&gt;
&lt;p&gt;Good luck!&lt;/p&gt;
&lt;p&gt;Douglas&lt;/p&gt;
&lt;p&gt;PS. The final result can be viewed on internet at:&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.gaijin-eyes.com/avidwww/avidwww.htm"&gt;http://www.gaijin-eyes.com/avidwww/avidwww.htm&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;b&gt;The playback screen can be maximised by using the &amp;quot;Full-screen&amp;quot; button in the control bar.&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Next: &lt;a target="_self" href="http://community.avid.com/forums/p/69025/385845.aspx"&gt;From MC to WWW - 3. Uploading&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;</description></item><item><title>From MC to WWW - 1. Exporting the timeline</title><link>http://community.avid.com/forums/p/69023/385843.aspx#385843</link><pubDate>Fri, 27 Feb 2009 07:53:46 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:385843</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;Getting from the MC timeline onto the Web causes lots of confusion.&lt;br /&gt;Mainly because of the many variations in video formats and codecs.&lt;br /&gt;There is no way that a set of 3 tutorials could cover all possibilities.&lt;/p&gt;
&lt;p&gt;Taking the simple approach I will show you my workflow and then leave it up to you to discover if and how you can use any of my ideas in developing your own workflow.&lt;/p&gt;
&lt;p&gt;The first tutorial describes one way of exporting your material from MC.&lt;/p&gt;
&lt;p&gt;Good luck!&lt;/p&gt;
&lt;p&gt;Douglas&lt;/p&gt;
&lt;p&gt;PS. The final result can be viewed on internet at:&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.gaijin-eyes.com/avidwww/avidwww.htm"&gt;http://www.gaijin-eyes.com/avidwww/avidwww.htm&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The playback screen can be maximised by using the &amp;quot;Full-screen&amp;quot; button in the control bar.&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Next: &lt;a target="_self" href="http://community.avid.com/forums/p/69024/385844.aspx"&gt;From MC to WWW - 2. Encoding&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;</description></item><item><title>Avid Pan &amp;amp; Zoom</title><link>http://community.avid.com/forums/p/68707/384290.aspx#384290</link><pubDate>Thu, 19 Feb 2009 02:38:34 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:384290</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;(Please visit the site to view this media)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;This Tutorial is longer than I usually produce. This is due to the fact that I want to show a few of the pitfalls that I met when trying to learn this technique.&lt;/p&gt;
&lt;p&gt;The actual Pan &amp;amp; Zoom part is covered by a very informative Avid Xpress Pro product quick tour video. It can be found at: &lt;a href="http://community.avid.com/media/p/367296.aspx"&gt;http://community.avid.com/media/p/367296.aspx&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;Good luck!&lt;br /&gt;Douglas&lt;/p&gt;</description></item><item><title>Nudge Nudge!</title><link>http://community.avid.com/forums/p/68251/381922.aspx#381922</link><pubDate>Fri, 06 Feb 2009 09:18:19 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:381922</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;The default keyboard has a set of very useful &amp;quot;nudge&amp;quot; commands mapped to four of the keys.&lt;br /&gt;Newcomers might miss these in their initial meeting with MC.&lt;/p&gt;
&lt;p&gt;Maybe you can find some use for them!&lt;/p&gt;
&lt;p&gt;Regards,&lt;br /&gt;Douglas&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The playback screen can be maximised by using the &amp;quot;Full-screen&amp;quot; button in the control bar.&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>Pseudo Timelapse</title><link>http://community.avid.com/forums/p/67996/380544.aspx#380544</link><pubDate>Fri, 30 Jan 2009 03:22:31 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:380544</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;The long GOP structure of HDV make life difficult if you want to create a timelapse video.&lt;br /&gt;The workaround I use is done by taking a video of the complete event then use the Motion Effect Editor to create the effect by timewarping.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;Regards,&lt;br /&gt;Douglas&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;strong&gt;The playback screen can be maximised by using the &amp;quot;Full-screen&amp;quot; button in the control bar.&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>The Replace Edit Button</title><link>http://community.avid.com/forums/p/67794/379568.aspx#379568</link><pubDate>Mon, 26 Jan 2009 06:38:02 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:379568</guid><dc:creator>drbgaijin</dc:creator><description>&lt;p&gt;It&amp;#39;s not in your default layout.&lt;br /&gt;If you&amp;#39;ve never heard of it you probably will never look for it, let alone find it.&lt;br /&gt;So here it is.........&lt;/p&gt;
&lt;p&gt;Regards&lt;br /&gt;Douglas&lt;br /&gt;&lt;br /&gt;PS. This tutorial has been updated after Siencs kindly pointed out an important point I had missed in the original Tutorial. Thank you Siencs. &lt;img src="http://community.avid.com/emoticons/emotion-1.gif" alt="Smile" /&gt;&lt;/p&gt;
&lt;p&gt;(Please visit the site to view this media)&lt;br /&gt;&lt;strong&gt;The playback screen can be maximised by using the &amp;quot;Full-screen&amp;quot; button on the control bar.&lt;/strong&gt;&lt;/p&gt;</description></item></channel></rss>