Great Sylvain! I missed this point " In your video storage...." :-))) This way is more organized by me. Cheers! Kiril

I use similar workflow for linking QT in X64. Most of the case, convert first with TMPGEncoder (batch processing!!! ) in TIFF seq. then link to DS. Not bad for me: it's work, only a litlle more time for preparation

Or export bin info ( w /o sequences ) from MC in ALE file. Open with Wordpad (not notepad )and voila. more: in DS you have ALE import, right?

Hm, yes - exactly like this. It's nice , independ its outdated. Do you have a lot "eggs"?

I will look forward for your "easter eggs" May be some day you make us, ordinary users, more enlightenment. Can you give us some key code?

Today is not lost for my education! I learn something new details about DS! This process continue 7 years! I'm so happy with every new! Thank you Mr.Labrosse!

It's work Great Avid (Softimage) developers Unique capability for DS, I think! Kiril

Mike, thank you for useful tests! I have only one question: In "Graphics on black" clips, on Property tab, "Output Frame Size" checked or not? I'm afraid that is not switch on by default... Sorry, I' m not behind DS right now to verify this

Hi! Basic rules for compositing is the same, in every compositing software like Avid DS (remember DS is not only compositing , Nuke, Eyeon and etc. Just tools and capability is different. You must check regulary "DS-List" google groups : http://groups.google.com/group/DS-List?hl=en and this great site: http://dswiki.wikispaces.com/ This is

Exelent explanation! Good work! So, all that M-Edit write out is important if your work consist a lot a stills. Documentary film for example. I'm afraid to use network drive for linked file. In every case I copy them on local drive. btw, for every project I make separate folder for source file (including all music, stills, text notes from producers