Thanks Randall for the quick response it is appreciated. I will sit tight.

What's included in this update: Upgrades Safari to version 4.0.2. Improves the accuracy of full history search in Safari 4. Resolves an issue in which certain resolutions might not appear in the Display pane in System Preferences. Dragging an Aperture image into Automator now invokes an Aperture action instead of incorrectly invoking an iPhoto action

Ok another update. I've been able to get some of the clips to relink and not others. After doing some snooping I realized that the old AE assigned tape names to the transcoded clips but not to the original master clips. This is causing the transcoded clips to not relink. All the clips that weren't modified and given a tape name are now relinking

I had to go through and sub out piece by piece to isolate about 6 clips that were "corrupt". Although they play back fine they just wouldn't decompose. These were actually transcoded clips at 10:1m from P2 cards so I just ended up going to the full res media and overcutting. A lengthy process but problem solved. Thanks for the advice!

I have a sequence that will decompose captured clips just fine but if I try and decompose imports the sequence gives me this error. Assertion failed: srcMob File: /Snapshots/releng.relengintel4_1230513104/vobs/ppg/MCTop/ProjectFiles /../../MediaComposer/Media_Composer/ Decomposer.c, Line: 133 Any idea on what could be causing this error?

Another post since the edit function doesn't work. When I select the clips in the transcoded bin I only have the option to relink offline master clips to to online media files. Would it be better if I attempted to try and relink the whole sequence with the highest quality setting as opposed to testing this on clips?

So today I went in just to see what I was in for and ran into some snags. The system has seperate media drives setup for the transcoded p2 clips and the Full Resolution P2 which appears to only have been shot at DV50 (When I run the media tool the clips pop up as DV50). Now in my 30i project when I go to a P2 file that has been transcoded (10:1m) and

OK they found the original mxf from the p2 so that crisis is averted. This project needs to be finished at dv 25 and the media is currently at 10:1m and was shot at 720p so the original mxf files are at 720p. So when I end up doing the "online" for this at dv25 all I will have to do is get the original clips and transcode them to dv 25. Then

I have a project that I am being brought in to finish that has P2 footage in it. I am told that the project is all at 10:1m at the moment which means the original AE must have transcoded the footage from whatever it was shot at? So in a perfect world this would be as easy as the relink -> Highest Quality and it would relink to the original full resolution

I have an editor that likes to quickly look at his sequence and be able to tell which clips came from grouped media. He said that he likes to color his groups so that he can identify them in his timeline right away. For some reason I can't get the grp color to show up in the timeline. I've colored the multi-group, the individual groups, and