Hi Larry, I feel this is the equivelant of a UK Royal reception , such is my respect for you. Good to see you are still around. I miss working in a facility and not using Avid on a daily basis , I do freelance a bit so I keep my hand in. As one of the promos for Avid says ( roughly ) Avid is stil the main product for major films and shows. I've

This is exactly what happens in England is it like that everywhere else ? If someone has posted this already I apologise as I haven't been on here for a while. http://www.youtube.com/watch?v=oVPkm5zE6QI

Forscene is one of the things we are looking at but we have about 4 large clients who all want different things and the various software packages and bits of hardware would difficult to get to grips with both staffwise and financially. We have made two members of staff redundant so from my view I feel a we need something that can give each client what

Has anyone from Avid released any other details about this products integration with the Avid family? Is this just something purchased to use aspects of the current design and nothing more? I have had a large amount of enquiries over the last year or so with clients wanting to view media online and then create shot lists etc over the network. Endemol

Hi, I have to capture quite a large library of commercials and promos and reversion them some of which will be left on a server but some will need to be exported out to phones. I have a few questions as I really am quite behind when it comes to phones and things like that. I've looked at FCP & Avid and there are pros and cons to using both but

Is anyone using this for stereoscopic work yet ? I'm really interested in how that's going to work. I've only seen the completed shows and nothing in the edit stage.

We had 35 systems at my last place so I guess in a crisis it would be a problem. I miss Avid a lot the FCP is ok I'm still coming to terms with certain effects.

I used to use a syncro programme and you could set off a timed syncro so if it would allow you to syncro ip to ip and every few minutes , could you not just get a sync copy of the project or attic. I was in a similar position last year with a building restoration project. All the buildings were going to be restored over a period of between 10-14 days

I moved to a facilty that has FCP & Prem so I'm polar opposite. All I can say is moving to Avid is the best thing you could have done.

I know this isn't exactly what this thread is about but as you talked about best settings for import/export I was wondering is anyone has experienced this. We mainly use FCP here ( I miss working with Avids on a daily basis ) and we get a large amount of HQ QuickTimes exported from Avids. When we import them regardless of the settings the chroma