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  • Re: How many audio panels?

    Play with Channel Strip. It has an expander, EQ and compressor. You would then only need to add the de-esser. The difference placing fx on the master fader is those get applied after all the others, on all tracks. Usual order would be expansion first (to lower noise floor), then EQ, then Compression. Channel Strip was designed exactly for this. It mimics
    Posted to Get Started Fast (Forum) by Job ter Burg on Sun, Apr 21 2019
  • Re: How many audio panels?

    You can have five realtime plugins per audio track, plus five on the master fader. Some plugins, like Channel Strip, are actually combinations of EQ and dynamic in a single plugin. Additionally, you can stack up to three non-RT plugins on each individual clip in the timeline. Are you saying you are running out of RT banks?!
    Posted to Get Started Fast (Forum) by Job ter Burg on Sat, Apr 20 2019
  • Re: Fastest, Cleanest Workflow Avid to Vimeo

    My worflow is same-as-source QT, then Handbrake to encode to Vimeo specs. Pretty fast, looks good.
    Posted to Avid Media Composer - Mac (Forum) by Job ter Burg on Thu, Apr 18 2019
  • Re: Autosync Waveform error

    My source says: If all the video and audio clips are being selected in the bin, then that is not how waveform AutoSync works. The user needs to select only the clips that belong together first, then sync. If they are making basic sync maps in the timeline, then it “should” work but be prepared for the extra steps needed to create a .sync
    Posted to Avid Media Composer - PC (Forum) by Job ter Burg on Mon, Apr 15 2019
  • Re: Anyone use the Pro Tools Control app?

    https://www.youtube.com/watch?v=YJjHrM_Tyz8 I know I've said this before, but touch screen controls, for me, defeat the purpose of any outboard controlling for editing/mixing for picture, simply because it requires you to look at where you place your fingers, and where to move them, whereas an outboard editing/mixing controller with real buttons
    Posted to Avid Media Composer - Mac (Forum) by Job ter Burg on Sun, Apr 14 2019
  • Re: Pitch Correction during Shuttle bug

    It’s helpful if you specify the version you are running, so others can verify. Thx!
    Posted to Avid Media Composer - Mac (Forum) by Job ter Burg on Sat, Apr 13 2019
  • Re: Using an EDL to notch a video

    While this blog is about the entire process, the second half will describe how to notch in MC. The key will be to ensure all the SOURCES in the EDL reference the QuickTime movie file name as linked/imported. http://24p.com/wordpress/?p=35
    Posted to Avid Media Composer - PC (Forum) by Job ter Burg on Thu, Apr 11 2019
  • Re: Message compose window

    Hi Adrian, This should help: Click on your user name to the top right, this will take you to http://community.avid.com/members/ <yourusername> /default.aspx. There, to the left, click on Edit My Profile. Then, choose the tab "Site Options". Then, choose Font Size, Largest. Did that years ago, never looked back.
    Posted to Community Issues and Suggestions (Forum) by Job ter Burg on Wed, Apr 10 2019
  • Re: Fastest "Best Quality" Export Out of Avid

    QT Same As Source does not use the Quicktime engine, just copies video and audio into a QT .mov container. If your entire sequence is in the same codec flavor and fully rendered, or if you mixdown your sequence to single codec, it’s just a matter of drive speeds. Other than that, this may be useful: http://24p.com/wordpress/?p=278
    Posted to Avid Media Composer - PC (Forum) by Job ter Burg on Tue, Apr 9 2019
  • Re: Combining Split Mono for editing

    If you alt-drag them into a bin (in stead of importing them), effectively AMA-linking them in (or via Source Browser), I think that detects files ending like xyz.L.wav and xyz.R.wav, and combines them into a single 2-channel clip. The same happens if you do a regular import, but choose "Autodetect Broadcast Wave Monophonic Groups" under the
    Posted to Avid Media Composer - Mac (Forum) by Job ter Burg on Sat, Apr 6 2019
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