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If the installer doesn't detect the Nitris or AJA hardware, or if the software is not licensed to use hardware, the ds will run as a Software DS.
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DS can also use the track filter methodology. Only clips on that track are affected. Or you have a fx track that affects all clips below it. And of course the trees that Terry mentioned.
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I'm thinking the last time I saw that bus was around 1999 or 2000. I checked back through my tutorial disks, all the way to version 3 and didn't see the bus on any of them.
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But you could copy and paste one framerate to another up until version 7.6 when the "F" key was introduced. I used it on a couple of films with great results. If the media was already digitized, it would link up, but would throw errors upon playback. I went through the timeline and matchframed the clip and did replace edits to solve this issue
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I can never remember the exact address, so I just use windows built in search tools and look for "autosave", find them, rename them with the extension .Segment and drop them into your project folder. The exact naming of .Segment is very important.
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The Stabilizer has a built in DVE tab, no need to add a second one after.
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That would be a good option. I'll mention it to the devs.
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With the latest version, you can select all transcodes"Cntr-shift-A" and change the settings in one go. No need to set the values over and over again. It usually takes me under 30 seconds to setup transcodes for 200+ clips. You can load in an RLX in the same manner for all 200 clips or selections of.
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But you can already work with SD 23.98 footage in MC, so it should be available in MetaFuze as well.
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You could also just consolidate the sequence with handles to a hard drive and for the metadata - under "file" "Send to Avid DS". On the DS side, configure your MXF storage using the "Configure Storages" option (check your manual if unsure how)" and move the original captured media there. Exporting to Uncompressed