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  • Re: Merging sequences with relationship corrections: ideas please

    you have a unique situation... but you should try COMMIT MULTICAM CLIPS to ditch all the multicam associations... then work on MASTER CLIP CC, or SUB CLIP CC the "tapeless" workflow doesnt seem to make the broad sweeping associations that the old "tape" world did in CC (i merge corrections all the time from last ep to next ep to
    Posted to Avid Options Forum (Forum) by drj777 on Sun, Nov 29 2015
  • Re: version incompatibility issue

    ive been having a similar issue with OFFLINE sequences being cut in MC7.5 and then coming back to me in ONLINE Symhony 6.4 if my online sequence is opened by an AE on the 7.5 system...when i open it later, it will tell me A) the sequnce has to be UPGRADED (which is usually a weird corrupt efx or color issue) and B) once you upgrade it & reopen in
    Posted to Avid Options Forum (Forum) by drj777 on Sun, Nov 29 2015
  • Re: Pan and Zoom Not Showing Image

    P&Z likes to use the original file - but i can not be moved. EVER. just like doing animation in Marquee Tool (which is a bit superior for Motion Control photo work) you can work on the X, Y & Z axis...plus many other benefits! AVID will look for that file & if its not where it orginally came from, or the name has been modified - it freaks
    Posted to Avid Options Forum (Forum) by drj777 on Sun, Nov 29 2015
  • Re: 10bit CC that ends up as 8bit broadcast

    E.P. saw the SAME ep on DVR & said it looked fine. later i saw the same ep on DVR also (downstairs TV) ...and it looked fine. maybe upstairs TV is off? (doubtful, cuz everything else looks good) is there be a diff btwn broadcast ver, dvr version, and/or cable service provider? Dont think so...cuz only 1 digital file is delivered to the network.
    Posted to Avid Options Forum (Forum) by drj777 on Sun, Nov 29 2015
  • Re: 10bit CC that ends up as 8bit broadcast

    gotta be, right? and i even use the SAFE COLOR limiter (chopped in a little bit) - JUST FOR SAFETY!
    Posted to Avid Options Forum (Forum) by drj777 on Thu, Nov 19 2015
  • Re: 10bit CC that ends up as 8bit broadcast

    that may be the REAL issue (RGB vs 709)...cuz the show looks fine in the bay. saw ep 1 on DVR (later) and it looked fine...but last night ep 2 aired and it looked awful. same song 2nd verse...blacks were crushed & the chroma was over the top. need more info before i start coloring the next ep FLAT & unsaturated...shyte. drj
    Posted to Avid Options Forum (Forum) by drj777 on Thu, Nov 19 2015
  • Re: 10bit CC that ends up as 8bit broadcast

    the show left my bay SAME AS SOURCE - DIRECT OUT...after the network got a hold of it...who knows. the color levels may be a culprit...looked great in here though!
    Posted to Avid Options Forum (Forum) by drj777 on Fri, Nov 13 2015
  • Re: 10bit CC that ends up as 8bit broadcast

    def a victim of compression...always an awkward discussion later "it looked great in online" so on & so on... age old dilemma. thanks for the info! drj
    Posted to Avid Options Forum (Forum) by drj777 on Fri, Nov 13 2015
  • Re: 10bit CC that ends up as 8bit broadcast

    i may be overreacting a bit, but the diff from the bay vs broadcast was substantial (imo) thats why i said it "looked composite" - blacks were crushed & subsequently the chroma looked oversaturated might not help that i was watching it on an older HDcrt monitor (which is a bit muddy to begin with) ive done so many shows that make it to
    Posted to Avid Options Forum (Forum) by drj777 on Thu, Nov 12 2015
  • 10bit CC that ends up as 8bit broadcast

    i had been coloring my new show in 10bit (its 2016 for godsakes) but when it came time to deliver the show i was informed that this network wants an 8bit DnX145 show!!! needless to say...the contrast & saturation that looks beautiful in 10bit was crushed into what looked like a composite broadcast i am now scrambling to revisit the next ep BEFORE
    Posted to Avid Options Forum (Forum) by drj777 on Thu, Nov 12 2015
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