I have this, too, in MC 3.5.9. It used not to be the case, but is consistently a problem now. The work-around, for me, is always to start playback in a place other than an audio fade -- or to render the fade. Yes, there are some mixed sample-rates in most of my timelines.

Indeed, that's definitely worth reading. I have been using Avid for quite some years now, however, and find it strange that, at the moment unlike in the past, a P-i-P on timeline video track 2 does not allow the video on timeline video track 1 to be seen as the background to video track 2. If I put the video+effect that was on track 2 up to track

Thanks for getting back to me. When stepping in, no matter which timeline track the video is on, three tracks appear: and the video is on track 3, not track 2. Tracks 2 and 1 are both blank.

Hello, When using picture-in-picture on MC 3.5.9 in a 1080/24p project and 1:1 MXF media on a Nitris DX system, a picture-in-picture effect applied to video on track 2 does not permit the video on track 1 to be seen. Move the video on track 2 (with effect) up to track 3, and track 1 suddenly appears again. I've tried restarting MC, and the same

Hello, Would there be a Readme file to glance through before starting the download? best wishes J

Hello, As preliminary work for moving to a Nitris DX system, I'm going through a timeline containing much mixed-format material, getting as many graphics etc. in HD before next week. The project is at 1080/24p and whether or not the timeline is in 1080/24p or PAL 24p mode, applying in the HD domain a color correction to a piece of SD footage results

At a push, you may find that a stand-alone domestic DVD recorder, such as the retail devices by Sony and/or Panasonic, will time-base correct whatever dodgy signal appears on its inputs, by the time it reaches the EE output, even without setting the machine into record mode. I have, on occasion, fixed a VHS input this way. Cheap and not necessarily

In my brief experience of the EX3, the 1080/24p frame rate shown in the viewfinder and menus actually means 1080/23.976p. Therefore this won't load into a true 24p project. I have found exactly this to be the case in the last two days. Perhaps modern-day cameras that 'do' 24p but record 23.976p should be mentioned in some list on Avid's

Using the very latest version of ffmpeg, I have good results transcoding interlaced AVCHD 25Mbit/s footage from a Canon HG-21 at 1080/50i with this command line: ffmpeg -i <input_file> -vcodec dnxhd -acodec pcm_s16le -flags +ildct -b <bitrate> output.mov Use bitrate from the table referenced below: http://www.itbroadcastanddigitalcinema

Hello, Has anyone from Avid been able to advise upon this issue? best wishes, John