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<?xml-stylesheet type="text/xsl" href="http://community.avid.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Send us your story</title><link>http://community.avid.com/forums/243.aspx</link><description>Whether you're just getting started, or you've been in the biz forever, we'd like to hear from you.</description><dc:language>en</dc:language><generator>CommunityServer 2008 SP2 (Build: 31106.96)</generator><item><title>Fast Times at Viewmont High</title><link>http://community.avid.com/forums/thread/409339.aspx</link><pubDate>Thu, 25 Jun 2009 01:16:46 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:409339</guid><dc:creator>dbeditorial</dc:creator><slash:comments>0</slash:comments><comments>http://community.avid.com/forums/thread/409339.aspx</comments><wfw:commentRss>http://community.avid.com/forums/commentrss.aspx?SectionID=243&amp;PostID=409339</wfw:commentRss><description>&lt;p&gt;All I need are some tasty waves, a cool buzz, and I&amp;#39;m fine.&lt;/p&gt;
&lt;p&gt;- Jeff Spicoli&lt;/p&gt;
&lt;p&gt;I had enough credits to graduate High School, and we had a new TV Production class... Senior year 1972. Do the math. &amp;nbsp;Persistence got me the weekend cameraman (cameraperson) job at a TV station in Salt Lake City. Today I am a Predator (Producer/Editor) in Dallas, and wondering why I did not study astro-physics! Back then the gear was so crazy expensive and you needed a herd (gaggle) of engineers to keep it running. The number of people working with TV gear was pretty limited, being able to drive a big Grass Valley switcher was like an &amp;quot;E&amp;quot; ticket at Disneyland and I had 3 M/Es. The first editor I got my hands was a Mach I at the Osmond Studios.&lt;/p&gt;
&lt;p&gt;The first 10 years or so of my career was always near a TV transmitter, promos, cheap commercials, opens and long days in &lt;i&gt;some&lt;/i&gt; semi-trailer parked under &lt;i&gt;some&lt;/i&gt; arena directing &lt;i&gt;some&lt;/i&gt; sport for &lt;i&gt;somebody&lt;/i&gt;. Fool that I was, I thought if I could just get a job at a post-house, it would be 9-5! Heading south, I found myself in the velvet rut of Austin, Texas. I had a CMX-340, GVG-300 and two ADOs... We worked with GSD&amp;amp;M and won every commercial award given out for many years. I had a Clio when you actually had to WIN one and I cut music videos before Willie&amp;#39;s beard was gray. With a Mustang convertible I was tan and happy! But then the owner of the company thought CMX was dead, can you say Paltex?&lt;/p&gt;
&lt;p&gt;So that brings me to Dallas, If there was a Camelot of Post-Production, it was TeleImage. D1, D2, 3D... big rooms, lots of decks, catered lunches and a staff masseuse! Working 9-5 and loving life! But, then some guy in Tewksbury screwed it all up figuring he could save the client money by doing an OFFLINE! Suddenly, I was conforming EDLs and I saw the writing on the wall. &lt;/p&gt;
&lt;p&gt;Almost 20 years ago I cut my first spot on Avid. Since then I have always worked with Avid systems. I have managed studios, supervised post of network shows, produced movie trailers and cut spots. I have changed history, made companies millions and entertained audiences everywhere. And I have made a nice living doing it. By the way, this is not me bragging, it is just the power of the Video Medium I am lucky enough to work in. I am just riding the coat tails and most days it beats being a roofer in Texas in July.&lt;/p&gt;
&lt;p&gt;I bought my first system in 2001 and delivered my first show the morning of September 11th.&lt;/p&gt;
&lt;p&gt;I have 3 systems now. I like the power of my Symphony, but I really like the freedom opening my laptop and editing on the road. This industry has come so far in 30 years, we can only imagine!&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item></channel></rss>