When the acquisition format is 24pN on P2, is there a workflow that allows you to playback at 30 or 60 fps (interlaced) with a pulldown inserted? (24p footage shot on Varicam/tape, we have the option to load it 1080i @ 60fps.) In other words, does shooting 24pN onto P2 media require that you work in a 24p project? What workflow is being used (by the smart guys) when 24pN is the source, and 30 or 60i is the required output? Thanks. -Jd (I'm sure this question has been asked several times. So maybe someone could point me to the appropriate thread.)
When the acquisition format is 24pN on P2, is there a workflow that allows you to playback at 30 or 60 fps (interlaced) with a pulldown inserted? (24p footage shot on Varicam/tape, we have the option to load it 1080i @ 60fps.)
In other words, does shooting 24pN onto P2 media require that you work in a 24p project?
What workflow is being used (by the smart guys) when 24pN is the source, and 30 or 60i is the required output?
Thanks. -Jd
(I'm sure this question has been asked several times. So maybe someone could point me to the appropriate thread.)
http://24p.com/HVX200_1.htm
My Avid community site blog
when working native 24p/pN, and going out over FireWire, there is always a 2:3 insertion to create 59.94p. That just happens when you hit play.
Michael
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