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How To Create an Offline-Online Workflow with Panasonic P2

One of the most popular emerging workflows in today's post-production world is the Offline-Online workflow with the Panasonic P2 camera. Watch this video to learn exactly how to take your HD media from the P2 card, edit at a SD resolution, and then relink back to its HD flavor. A transcription of my narration is posted below the video.

 


I’m Bob Russo, the media education evangelist for Avid Technology. Today I’m going to talk about an offline – online workflow with media from a Panasonic P2 camera and the Avid Media Composer.

 

One of the ways to work with media from a P2 camera is to copy the contents of a P2 card to a folder on a drive. This is what I’ve done here. The first step in working with P2 is to import the clip information into a bin. Select File, Import P2, Clips to Bin. A finder window opens. Navigate to the drive with the P2 media. The top-level folder must be selected. If this folder is not selected the Media Composer will not be able to import the clip information and you will receive this error.

 

Once I selected the correct folder the Media Composer indexes the media. The media isn’t being imported, instead, just the clip information is being loaded very quickly into a bin. You can see how the clips are actually linked to a virtual P2 card on the drive and can be played right away. I’ll make my selects and consolidate the media over to my local storage using the File, Import P2, Media. The clip media is now on my local drive. For storage and performance reasons, I like to edit the sequence in a standard definition resolution. To do this, change the Format tab to 30i. Select Clip, Consolidate/Transcode. The Consolidate/Transcode box opens. I now have the option to transcode the HD media to any SD resolution. I’ll select DV25. As you can see, three new clips are made, and I can start my edit.

 

Once the edit is done and the sequence is ready for the online, it can be relinked to the HD media. Change the Format tab back to HD. The SD media changes to yellow, warning that there is SD media in an HD sequence. With the sequence selected, select Clip, Relink. The Relink box opens and select the Highest Quality in the Video Relink Parameters. These options can be turned off, and click OK. The sequence is quickly relinked to the original DVCPRO HD media and ready for the online.

 

And that's an offline – online P2 workflow with the Avid Media Composer.

Comments

 

MikePoglitsch said:

Good solid information, concise and clear.

November 18, 2008 2:52 AM
 

shaney_mac said:

Good tutorial. I seem to have a problem with compatibility on my machine though. The P2 media is DVCPRO 720p50 PAL. The media imports fine, however when in a 720p project format there is no option on my Media Composer v2.8 to switch to 25i Pal, therefore preventing me from transcoding to SD. When I open the bin inside a new 25i project and start a transcode it won't progress past 0%. Any ideas? Is it the version of media composer/missing plug-in/a setting?

September 6, 2009 9:05 PM
 

BobRusso said:

Starting in Media Composer 3.0 the 1080, 720 and SD projects were combined. You will need this version at least in order for this to work for you.

September 6, 2009 9:43 PM
 

shaney_mac said:

Thanks for that. I thought as much. I'll get the upgrade.

September 7, 2009 11:03 AM
 

shaney_mac said:

I've upgraded and followed your tutorial one more. It works fine except at the consolidation stage. When I try to consolidate via the media tool in Import p2 media I get the error message 'File Avid MediaFiles not found'. When I use the consolidate/transcode tool this works fine though. I'm on v3.1.3. Is this a problem/ a bug/ or should I ignore having found a work around?

October 28, 2009 4:00 PM
 

BobRusso said:

Shaney, I can't explain the error you're seeing and suggest you post your question on the Community Forums.

October 28, 2009 4:12 PM

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About BobRusso

Bob Russo has worked in the professional film and video production business for over 13 years. During that time he's worn many hats, from editor to producer to shooter. As a videographer and field producer he saw the world on a number of national and international field productions.
His recent experiences prior to working for Avid include a lot of hours working on an Avid. As the editor or senior editor of hundreds of long form programs, he gained a strong background in offline editing, on-line editing, legalizing and color-correcting. His work has appeared on a number of networks including: PBS, The Learning Channel, the Discovery Channel, Animal Planet, FOX, NBC, Home & Garden Television, and Bravo to name a few.

Currently, Bob works as a Application Specialist for Avid where he works with Post and Broadcast customers to promote Avid’s industry leading professional workflows