In this installment of the Avid podcast, director Ray Tintori and editor, Par Parekh talk about resurrecting Ray's original thesis project at Wesleyan University as a film submission to the Sundance Film Festival. Originally shot in 16mm and edited on a Steenbeck, Ray and Par tell us how they took this adaptation of L. Frank Baum's story, "The Tin Woodsman of OZ", to the world of non-linear editing. They also bring us up to date on their latest project, Glory at Sea, currently on location in New Orleans.