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<?xml-stylesheet type="text/xsl" href="http://community.avid.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Source / Record : Timecode Plug-in</title><link>http://community.avid.com/blogs/editors/archive/tags/Timecode+Plug-in/default.aspx</link><description>Tags: Timecode Plug-in</description><dc:language>en</dc:language><generator>CommunityServer 2008 SP2 (Build: 31106.96)</generator><item><title>Fast, Cheap Approval Copies</title><link>http://community.avid.com/blogs/editors/archive/2008/07/04/fast-cheap-approval-copies.aspx</link><pubDate>Fri, 04 Jul 2008 07:08:00 GMT</pubDate><guid isPermaLink="false">33dbc7b4-0359-4be4-a659-9f674152ccc7:339824</guid><dc:creator>fcapria</dc:creator><slash:comments>1</slash:comments><comments>http://community.avid.com/blogs/editors/archive/2008/07/04/fast-cheap-approval-copies.aspx#comments</comments><description>&lt;p&gt;My favorite new feature in Media Composer 3.0 isn't terribly sexy. It's the &lt;a href="http://www.avid.com/video/video_window.asp?videoID=242" target="_blank"&gt;real-time timecode effect plug-in&lt;/a&gt;. Burn-in timecode isn't anyone's idea of a good time, but the ability to spit it out in real-time out of the NLE while striking approval dubs allows me to start the weekend just a little bit earlier. &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;img width="500" height="257" border="0" src="http://community.avid.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/editors/composer_5F00_9d9694b2_2D00_c3ba_2D00_41d7_2D00_860a_2D00_56bcd95da580.jpg" alt="composer" /&gt; &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;Many edit suites have DVD recorders available for approval cuts. DVDs are fine, but often they can't get where they need to go quickly enough. &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;img width="125" height="81" border="0" align="left" src="http://community.avid.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/editors/VideoCaptureHW_5F00_large_5F00_01aeffaa_2D00_7e19_2D00_4c8a_2D00_ba46_2D00_1127d80ef331.jpg" alt="VideoCaptureHW_large" style="margin: 0px 10px 10px 0px; float: left" /&gt; I've been playing with a nifty gadget that encodes an H.264 MPEG-4 file in real-time. &lt;a target="_blank" href="http://www.pinnaclesys.com/PublicSite/us/Products/Consumer+Products/Home+Video/Studio+Family/Instant+Video+Recorder.htm"&gt;Pinnacle's Video Transfer&lt;/a&gt; takes an NTSC or PAL signal and outputs a .mp4 file directly to a USB memory stick, iPod, or PlayStation Portable. (If you've been looking for a tax-deductible way to upgrade your iPod, here's your chance.) I've been feeding it with an older analog Mojo, but any video player with a composite or S-video output and RCA audio outs will work. Just plug in the Video Transfer, attach it to a video signal, insert a USB memory stick, and press record. That's it. When you're finished recording, pull the USB stick and send the file wherever it needs to go -- usually via FTP. &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;There's a small catch. Like many consumer video devices, Video Transfer assumes all NTSC or PAL video is 4:3. It only scales images to 320x240 or 640x480. (There is a full raster, dual field option as well, but for web delivery it's not very useful.) To get 16:9 video to display properly, you will need to open the file with Apple's QuickTime Pro. Select Show Movie Properties (control/command j), uncheck the maintain aspect ratio box, and change the display properties to either 320x180 or 640x360. Save the file, choosing the self-contained movie option. &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;img width="550" height="536" border="0" src="http://community.avid.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/editors/movie_2D00_properties_5F00_70fe839d_2D00_76b5_2D00_4db7_2D00_af7e_2D00_1776e0c0e0d5.jpg" alt="movie-properties" _moz_resizing="true" /&gt; &lt;/p&gt;
&lt;p&gt;Of course you can choose to export a QuickTime reference file from Media Composer and create a QuickTime, Flash Video, or Windows Media file in Sorenson Squeeze, but the process will take much longer than 1x real-time because effects, even real-time ones, will need to be rendered upon export. &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;For the adventurous&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;Since Video Transfer creates iPod-friendly files, it's easy to deliver your approval copies to your client via a podcast in iTunes. It's even possible to keep your files in a password-protected space online. Here's &lt;a target="_blank" href="http://www.podcast411.com/howto_1.html"&gt;an article&lt;/a&gt; on how to create an RSS feed to deliver your MP4 files as podcasts. &lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://community.avid.com/aggbug.aspx?PostID=339824" width="1" height="1"&gt;</description><category domain="http://community.avid.com/blogs/editors/archive/tags/Pinnacle+Video+Transfer/default.aspx">Pinnacle Video Transfer</category><category domain="http://community.avid.com/blogs/editors/archive/tags/Timecode+Plug-in/default.aspx">Timecode Plug-in</category></item></channel></rss>